YOUR LOCAL DIGITAL MARKETING AGENCY
DIGITAL PR SERVICES

Coverage Is Earned, Not Bought - and Most Pitches Are Ignored

A journalist receives more pitches in a morning than they could read in a week. The ones that get answered have something genuinely new in them – data nobody else has, a story that affects readers, or an expert worth quoting. Everything else is a press release about a company nobody asked about.

Outreach board
this campaign
Original survey of 900 people in the sector
national title - business desk
COVERED
Same survey, regional breakdown
three regional titles
COVERED
Expert comment on a rule change
trade publication
QUOTED
Data story pitched to a specialist reporter
trade weekly
IN PROGRESS
Founder profile pitch
national title - features
NO RESPONSE
Product launch announcement
sector newsletter
DECLINED
Illustrative example - a campaign that gets three placements from ten pitches is doing well, and you will see the seven
WHAT DIGITAL PR IS

You are asking someone to give you their readers

A journalist puts their name on what they publish. When they cover you, they lend you an audience they spent years earning – which is why the bar is high, and why nothing about the process is guaranteed.

The work is therefore mostly upstream of the pitch. Finding a story worth telling, usually from data you already hold. Identifying the handful of writers who cover exactly that. Then writing to them like people who have a job to do, rather than blasting a list.

This is not link building – links from coverage are a genuine by-product, not the goal. It is also distinct from reputation management, which handles what is already being said about you.

What we will not do

Burning a journalist relationship for one placement costs every future pitch. We would rather send nothing that week.
WHAT ACTUALLY GETS COVERED

Seven story types, ranked by whether anyone will run them

Most PR budgets are spent at the wrong end of this list. The top three are hard to produce and get covered; the bottom two are easy to produce and almost never do. We will tell you which end your story sits at before we pitch anything.

Original data

A survey, a study or an analysis of numbers only you hold. Journalists need figures to cite, and there is a permanent shortage of them.
Likelihood
Web Designer
STRONGEST

Expert reaction

A named person at your business who can comment credibly on something already in the news, available within the hour.
Likelihood
Web Designer
STRONGEST

Local or sector impact

A national story translated into what it means for a specific region or industry. Regional and trade desks are perpetually short of this.
Likelihood
Web Designer
STRONG

Genuine research

A report answering a question the sector argues about, with method disclosed so it can be quoted safely.
Likelihood
Web Designer
STRONG

Human story

A customer, an employee or a founder story with a real narrative. Harder to place but travels further when it lands.
Likelihood
Web Designer
MODERATE

Company milestone

Funding, expansion, senior hires. Covered by trade press if the numbers are meaningful, ignored elsewhere.
Likelihood
Web Designer
WEAK

Product announcement

Interesting to you, rarely to a newsroom. Belongs on your own channels unless it genuinely changes the market.
Likelihood
Web Designer
RARELY RUN

Most businesses already hold a story at the top of this list and do not realise it. Booking patterns, quote data, failure rates, seasonal demand – anonymised and analysed, this is the raw material national desks want and cannot get elsewhere.

WHAT WE RUN

Six programmes, usually two or three at a time

Running all six at once produces noise. Most businesses start with a data campaign to establish that they have something to say, then add expert commentary once journalists know the name.

Data-Led Campaigns

the engine of most successful programmes

Expert Commentary

fast, cheap, and consistently effective

Media Relations

the part that compounds over years

Announcements

handled realistically

Thought Leadership

placing a named person, not the brand

Monitoring and Crisis

the programme you hope stays quiet
WHERE COVERAGE LANDS

The national title is rarely the one that pays

Everyone asks for the household-name publication. It is the hardest to get, the least targeted, and often the least commercially useful. The trade title read by four thousand people who all buy what you sell is usually worth more.

National press

HARDEST
Good for
Credibility you can cite for years. Opens doors with partners and investors.
The barrier
Needs a genuinely national story - usually original data with a broad hook.
What it is worth
Reach and prestige. Direct enquiries are often fewer than the trade coverage below.

Trade and industry press

HIGHEST VALUE
Good for
Reaching people who actually buy. Read closely by decision-makers in your sector.
The barrier
Needs substance. Trade journalists know the subject and spot thin claims instantly.
What it is worth
Usually the highest commercial return per placement in the whole programme.

Regional press

ACCESSIBLE
Good for
Local hiring, local trust, and support for local search visibility.
The barrier
Needs a genuine local angle - a national story broken down by area works well.
What it is worth
Strong for service businesses with a geographic footprint. Often underrated.

Newsletters and specialist media

UNDERUSED
Good for
Small, highly engaged audiences. Frequently the fastest route to relevant readers.
The barrier
Needs relevance more than scale. A weak fit is obvious to this audience.
What it is worth
Overlooked by most PR programmes, which is exactly why it works.

Your own newsroom

OWNED
Good for
Everything the press will not run - and they will not run most of it.
The barrier
No barrier, and no third-party credibility either.
What it is worth
The honest home for product news. Not coverage, but not worthless.
THE OUTREACH WORKFLOW

Eight steps, and the pitch is the seventh

Agencies that lead with volume of emails sent have skipped steps one to six. The pitch is trivial once the story and the list are right, and hopeless when they are not.

01

Media research

Which publications your buyers actually read, and which of those cover stories like yours. Rarely the ones you would name first.
strategist
02

Journalist identification

Named writers, current beats, recent articles. Built by hand and maintained - bought lists are stale and get you blocked.
strategist
03

Story development

Finding the angle in what you already have. This is where a campaign is won or lost.
strategist + you
04

Data and verification

Method documented, sample size stated, findings checked. Anything a reporter cannot verify gets cut before it goes out.
analyst
05

Asset preparation

The report, the charts, the quotes, the images. A journalist on deadline needs it ready, not promised.
editorial
06

Spokesperson prep

Briefing whoever will be quoted, so an interview request can be answered the same day rather than next week.
you + us
07

Outreach

Individual pitches to named writers, timed around their deadlines. Small volumes, written specifically.
outreach lead
08

Monitoring and follow-up

Tracking what ran, what was ignored, and why. Feeds directly into which angle gets developed next.
outreach lead

Step six is the one clients underestimate. A reporter asking for a comment needs it within hours, not on Thursday. Programmes that cannot respond quickly lose most of the reactive coverage available to them.

THE AUTHORITY LADDER

Five levels, and you cannot skip one

Authority accumulates in order. A business nobody has heard of cannot be a trusted voice, and a trusted voice that nobody quotes is not yet an authority. Campaigns fail most often by aiming three levels above where the brand actually is.

LEVEL 5

Cited by default

Reporters covering your sector contact you before they contact anyone else. The position every programme is aiming at.
Inbound requests exceed outbound pitches
LEVEL 4

Quoted authority

Your named experts appear in stories you did not initiate. Journalists have you saved as a source.
Coverage arrives without a pitch
LEVEL 3

Trusted source

Pitches get answered rather than ignored. Relationships exist with specific writers on specific beats.
Reply rate rises sharply
LEVEL 2

Recognised name

The brand is known within the sector. Coverage still needs earning but the name is no longer a barrier.
Trade press runs your data
LEVEL 1

Unknown

No coverage history and no relationships. Everything has to be earned on the strength of the story alone.
Where most programmes begin

Moving from level one to level three usually takes six to twelve months of consistent output. Anyone promising level four inside a quarter is describing paid placements, not earned coverage.

WHAT THE REPORT SHOWS

Including every pitch that went nowhere

PR reporting has a reputation for creative arithmetic – combined audience figures, advertising value equivalents, numbers designed to look large. We do not use them.

You get the placements, where they ran, what they linked to, and the full outreach list with outcomes against every name. The declines are the useful part: they tell you which angles to stop developing.

Campaign report
per campaign
PLACEMENTS
named
which outlet, which writer
Against baseline
Web Designer
BRANDED SEARCH
rising
people looking you up after
Against baseline
Web Designer
REFERRAL VISITS
tracked
from each placement
Against baseline
Web Designer
SHARE OF VOICE
measured
against named competitors
Against baseline
Web Designer
Pitches that produced coverage
Web Designer
Pitches declined or unanswered
Web Designer
Coverage including a link back
Web Designer
Illustrative example - many outlets have a no-link policy, so coverage without a link is still coverage
HOW A CAMPAIGN RUNS

Nine stages across roughly a quarter

A single campaign takes six to ten weeks from discovery to reporting. Programmes that run continuously overlap them, so one campaign is being pitched while the next is being researched.

01
WEEK 1

Brand Discovery

What you sell, who you sell to, what you are willing to say publicly, and who can speak on the record.
02
WEEK 1-2

Data and Angle Audit

What you already hold that could become a story. Usually the most surprising part of the engagement.
03
WEEK 2

Story Development

Turning the raw material into two or three angles, each with a named audience and a target publication type.
04
WEEK 3

Media Planning

Which outlets, which writers, which desks. Built by hand and reviewed with you before anything is sent.
05
WEEK 3-4

Asset Production

Report, charts, quotes, images, and a page on your site for the coverage to point at.
06
WEEK 5-7

Outreach

Individual pitches, timed and sequenced. Exclusive offered first where it makes the story stronger.
07
ONGOING

Coverage Management

Handling interview requests, supplying follow-ups, and getting your spokesperson to the reporter quickly.
08
ONGOING

Monitoring

Tracking mentions, links, sentiment and branded search movement while the story is live.
09
WEEK 8-10

Reporting and Next Angle

Full outcomes including declines, and a decision on which angle to develop next based on what actually landed.
WHAT COVERAGE CHANGES

Benefits, without the inflated arithmetic

Digital PR is slower and less predictable than paid channels. What it produces is credibility you cannot buy – which is precisely why it takes longer.

Third-party credibility

A publication saying it carries weight your own website never will, however well written it is.

More people searching your name

Branded search rising after a placement is the clearest sign coverage reached the right audience.

Links you could not have asked for

Editorial links from real publications are the kind link building tries hardest to earn. Here they are a by-product.

Shorter sales conversations

Prospects who have already seen you quoted arrive with less to be convinced of.

Visibility for named people

Executives who are quoted regularly become an asset – to hiring, partnerships and future coverage alike.

A voice before you need one

Relationships built in calm periods are what make a difficult news cycle survivable.

Presence in AI-generated answers

Systems drawing on published sources reflect where you are cited – which connects to LLM optimization.

Easier hiring

Candidates research employers. Coverage in respected outlets does quiet work in recruitment nobody measures.

WHY RIGHT ADVERTISE

We will tell you when you have no story

The commercially convenient answer is always that your news is interesting. Often it is not, and pitching it anyway spends journalist goodwill you will need later for something that is.

So the first thing we do is look for a real angle in what you already have. If there genuinely is not one yet, we will say so rather than bill you for a campaign that cannot land.

We look for the story in your data first

Most businesses hold something a journalist would want. Finding it is cheaper and lands better than inventing a campaign from nothing.

Lists built by hand, not bought

We name the writers, read their recent work, and know their beat. Bought databases are stale and get your domain filtered.

Small volumes, written individually

Twenty considered pitches beat two thousand identical ones, and they do not damage the relationships you need next quarter.

Method disclosed on every data story

Sample size, dates, how respondents were found. Journalists check, and a story that cannot survive checking is a liability.

Full outreach lists in every report

You see every name contacted and every outcome, including the silence. No advertising value equivalents, no combined reach figures.

Relationships treated as the asset

We will decline to send a weak pitch on your behalf. One placement is never worth a writer stopping opening our emails.

INDUSTRIES

Every sector has a press that covers it

Even industries that consider themselves unglamorous have trade titles, newsletters and specialist reporters actively looking for stories. Usually those are the outlets your buyers actually read.

SaaS

Crowded press landscape. Funding news is ignored unless the numbers are unusual - product data campaigns work far better.

Ecommerce

Consumer desks want spending patterns and seasonal trends. Your order data is the story, anonymised.

Healthcare

Highest scrutiny of any sector. Claims need clinical backing and a named clinician willing to be quoted.

Finance

Heavy compliance constraints on what can be said. Regulated firms need copy approval built into the timeline.

Technology

Technical press rewards genuine detail. Vague announcements are filtered out immediately by writers who know the field.

Real Estate

Strongly regional and highly data-friendly. Local price and demand analysis is reliably covered by regional desks.

Education

Education correspondents cover outcomes and access. Institutional data carries real weight here.

Hospitality

Travel and lifestyle desks work months ahead. Seasonal campaigns need pitching well before the season.

Manufacturing

Trade press is small, specialist and attentive. Supply chain and skills stories land consistently.

GROW TRAFFIC & INCREASE REVENUE

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We turn ideas into powerful digital solutions.

Share your requirements and our team will get back to you with the best solution for your business.

Customized Solutions

Tailored to your business goa

Quality & Transparency

Reliable process, clear communication.

Timely Support

We're here when you need us.

Customized Solutions

Tailored to your business goa

Quality & Transparency

Reliable process, clear communication.

Timely Support

We're here when you need us.

Customized Solutions

Tailored to your business goa

Quality & Transparency

Reliable process, clear communication.

Timely Support

We're here when you need us.

We’d love to hear from you!

Reach out with any questions, feedback, or project inquiries.

Frequently Asked Questions

Everything businesses ask us before starting digital PR.

What is digital PR?

Earning coverage in online publications by giving journalists something worth writing about – original data, expert comment, or a story that affects their readers. It is media relations conducted digitally, not press release distribution.

Guest posting means you write the article and a site agrees to publish it, usually for a link. Digital PR means a journalist writes about you because they judged it newsworthy. You control the pitch, never the piece – which is exactly why it carries more weight.

Often substantially, because editorial links from real publications are among the strongest signals there are. But links are a by-product here. If links are the sole objective, link building is the more direct route.

No, and we would be sceptical of anyone who does. Editors decide independently, and a promised placement usually means someone is paying for it. What we commit to is the story development, the targeting, and full transparency on what landed and what did not.

By hand. We read who is currently covering your subject, what angles they take, and which desk they sit on – then build a list of named writers. Bought media databases go stale quickly and mass sending gets your domain filtered.

Most businesses do and cannot see it, usually sitting in their own data. If after looking there genuinely is not an angle yet, we will tell you rather than run a campaign that cannot land.

Placements with the outlet and writer named, referral traffic per placement, branded search movement, share of voice against named competitors, and the full outreach list with every outcome. We do not use advertising value equivalents or combined reach figures.

A first campaign typically takes six to ten weeks from discovery to placements. Building to the point where journalists approach you unprompted usually takes six to twelve months of consistent output.

Yes – existing positive coverage is what appears when someone searches your name during a difficult period. Active management of what is already being said sits under reputation management.

We look for the story in your own data before proposing anything, we build journalist lists by hand, we send small volumes written individually, and every report includes the pitches that failed. We will also tell you when you do not have a story yet.

You probably already have the story.

Tell us what your business sees that nobody else does – the patterns in your bookings, the questions customers keep asking, the thing your industry argues about. We will come back with the angles we think a journalist would run, and say plainly if there is not one yet. Free, findings yours either way.

The businesses that win aren’t just found – they’re found first. We make that happen, from local search to your entire digital presence.